Fall 2019 – Week 1

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I began two courses this week at Ball State. One is a literature course concerning 19th century American literature, and the other is a methods course on literary research. Both classes include students in master’s programs and Ph. D. programs. So far, I feel very comfortable with the reading and writing assignments on each syllabus. Among the major titles I’ll be reading (and in some cases re-reading) are the following:

  • Walt Whitman – Leaves of Grass
  • Henry David Thoreau – Walden
  • Ralph Waldo Emerson – “Nature”
  • Louisa May Alcott – Work
  • Frederick Douglass – My Bondage and My Freedom
  • Nathaniel Hawthorne – The Blithedale Romance
  • Herman Melville – Typee: A Peep at Polynesian Life
  • Harriet E. Wilson – Our Nig; or Sketches from the Life of a Free Black
  • Viet Than Nguyen – The Sympathizer
  • Claudia Rankine – Citizen: An American Lyric

This past week was also “Non-instruction week” at Ivy Tech. Full-time faculty must be on campus all five days and serve a minimum of 40 hours. Those hours are logged in paper form and submitted to the program chairs and deans. Each day this week, I attended a meeting of some kind. Some of those meetings were beneficial while some bordered on meeting a requirement.

I begin my twenty-first year as an educator on Monday with my first set of students for the fall semester. I will be teaching one class each day for the first eight weeks of this term, but I will not be in the classroom on Mondays during the second eight weeks. I’m teaching a co-requisite class this semester that is in line with the trajectory that Ivy Tech is headed: Eight-week courses.

While this particular post is not directly about eight-week courses, I will likely blog about my general observations of them between now and December. Unlike a lot of my colleagues, I feel I am a little more willing to embrace this structure. I opted to volunteer to teach one to at least see how it compares to the 16-week model I’ve been teaching for eight years (as an adjunct and FT professor) and be able to share informed takeaways from my experiences. It may work better than imagined, and it may be disastrous. For me, I prefer to at least try it with an open mind (hopefully in the spring 2020 semester as well) before shaping my official stance.

Prologue to This Journey

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*Note: I’m moving the material from my Google Pages Blog to this blog. It turns out that it’s senseless to attempt to maintain two types of blogs.

February 20, 2018

I’m struggling already with the best way to start.  This is the exact issue I discuss with my students and their writing assignments.  “Don’t worry about how it begins yet,” I say. “Write the body first.” That might be useful for formal academic writing, but this is not exactly that style of prose.  No. I’ll be posting a lot about teaching, I’m sure, but this blog is meant to be about my decision to begin a doctoral program at the age of forty-two.

So, here’s the background that I feel is relevant.  No names have been changed, as far as you know. I finished my bachelor’s in December of 1998 and began teaching in a public school in August of the following year.  For a couple years, that was my life. I got married somewhere in the middle, but that’s for another discussion. I began a master’s degree in 2001 or 2002 and eventually finished in December of 2007.  Near the end of my coursework, I took a class on American drama with [unnamed professor]. He was one of the best instructors I ever had, but one evening–I think prior to our two-hour discussion and evaluation of A Streetcar Named Desire–he answered a classmate’s inquiry about her consideration of applying for a Ph. D.

“Why the hell would anyone want to get their Ph. D. in literature these days?” he scoffed.  

Scoffed.  Yes. He was a scoffer.  

I can never know if his voice inflection was meant to be advisory, sarcastic, or some confusing combination.  I will tell you, famous reader, that I took it to my aortic pump.

Mentally, I shut down the notion of a doctoral program around that time of my life.  I was inching toward completing the master’s, anticipating a meager raise, and was set–at 28 or 29–to do the same job at the same school for the next thirty to forty years.

The question I ask myself now is, “Why the hell would I not seek out a Ph. D. in literature?”

You may be reading this and you can hear my voice in it.  You know me, and you know how much I truly loved Shakamak, even though, like any school or job, it had its flaws.  But my time was done there. I taught for seventeen years, and I cannot continue typing without reminding myself and informing you that they were the school that chose me.  They started my career.